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July 06, 2008

Update on Holly Beach. La.

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Holly Beach, LA 8/07 (Fujichrome) copyright,  Matthew White


“They want to make this rich and famous. We just want to build the poor people’s deal.”

J.C. Broussard (Cameron Parish Local)

The New York Times covered his year's Fourth of July celebrations at Holly Beach, La. (see article here) Although Hurricane Rita decimated Holly Beach, the NYT reports crowds were at their highest on the fourth of July post Rita--- and even though there is bacteria in the water, swimmers didn't seem to mind.  (Yikes) Cameron Parish Recovery, which is overseeing the planning and re-development of Holly Beach, La. has  big plans to make the once primitive Louisiana coastal village a thriving resort. It's their "signature project", according to director Ernest Broussard - although some of the locals aren't happy about that. I say thumbs up to Smart Growth. Although one person interviewed in the article said a truck stop with a casino had been proposed - that's not quite what I have in mind for  Smart Growth. Louisiana coastal photographer (and BK contributor) Matthew White has extensively photographed Holly Beach, and other Cameron Parish locales. You can view those images here.

May 02, 2008

Katrina, Rita and the Houma: A Nation in Recovery

Reznet, the online newspaper for Native America, has been covering  the impact of the hurricanes of 2005 on Louisiana indigenous coastal tribes via a  year long project, "Katrina, Rita and the Houma". Journalism students Mary Hudetz, a Crow reporter from the University of Montana, and Martina Rose Lee, a Navajo photojournalist from Arizona State University, collaborated  with veteran  journalists Victor Merina, a former Los Angeles Times investigative reporter, and multimedia journalist Steven A. Chin to produce the special report.  See the special report, here.

An anonymous commenter at the Reznet website posts the following:

  • Bayou Landfall: The Houma Nation vs. The Hurricanes is a documentary that chronicles the struggles of The United Houma Nation after the hurricanes swept ashore on the Louisiana coast. The film has been shown internationally and won the 2006 Alan Fortunoff Humanitarian award at the Long Island International Film Festival. Please visit www.snowflakevideo.com for more information about Leslye Abbey's films.
  • Bayou Landfall will be screened at the Global Green Indigenous Film Festival in Santa Fe, New Mexico on Friday, April 18, 2008, 10 AM at the Santa Fe Film Center at Cinema Cafe, 1616 St. Michael's Drive and again on Sunday, April 20, 2008, 4 PM at the Center for Contemporary Arts, 1050 Old Pecos Trail, Santa Fe. For additional festival details, please visit: www.globalgreenfilmfestival.com

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John Verret, Bayou du Large, LA. (c) Matthew White

Louisiana coastal photographer Matthew White was in Terrebonne Parish last fall documenting  endangered landscapes  inhabited by the Houma Indians and other native coastal tribes  with traditional guide, Captain John Verret.  To see Matthew's photographs of Terrebonne Parish go here. (click the X upper right of slides if you prefer to view captioned photos.)

April 10, 2008

The Sixth Annual Grand Isle Juried Exhibition/April 12 - 20, 2008

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Lake Pontchartrain, 11/07 --copyright Matthew White

Matthew White was selected to show some of his photography in the 6th Annual  Grand Isle , La. Juried Exhibition.  The exhibition theme, “Water Consciousness” will spotlight works relating the natural beauty and potential loss of the island and the surrounding wetlands. The goal of the Exhibition is to raise awareness of Louisiana’s coastal erosion through an artist’s eye and to encourage the creation and preservation of images of this culture and its disappearing habitat for future generations. Works selected will be on exhibit at the Grand Isle Community Center, Hwy. 1, Grand Isle, Louisiana April 12 - 20.  A reception and awards presentation will be held on April 20 2008.

Click here to view images.

February 08, 2008

Images from New Orleans Mardi Gras

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City of New Orleans from Algiers Ferry - © 2008 Matthew White

The above photograph  of the New Orleans skyline was taken by photographer Matthew White on the morning of Fat Tuesday as he made  his approach into New Orleans to take Mardi Gras pix. He said the crowds were lighter this year, and some have chalked that up to the fact that the city's most famous celebration  fell so early this year.  I had a very emotional reaction to this particular image - the metaphor is obvious I think. As it is said every  picture is worth a thousand words. For more of Matthew's images of Mardi Gras 2008  check out his image gallery.

December 02, 2007

Louisiana's coastal restoration plan is approved!

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Cocodrie -Terrebonne Parish, La. © Matthew White

WASHINGTON -- Louisiana's hopes for repairing and restoring its tattered coast took a major step forward Thursday as the Bush administration approved the state's plan to use $255 million in federal money for more than 100 conservation and diversion projects, including major efforts in the New Orleans area. More at the Times- Picayune, here.

October 28, 2007

La. Coastal Photographer Unveils New Website

Louisiana coastal photographer (and BK contributor) Matthew White just launched a new website which can be viewed at http://www.matthewwhitestudio.com.  Plenty of eye candy there in his gallery so be sure and check it out. BTW, with six years into a work in progress to document remote and rural locations in south Louisiana and the gulf coast,  Matthew is turning more towards the business side of his photography now. He has assembled a large collection of gulf coast photographs including  some of the latest & last pix taken of historical locations and landmarks now lost to the hurricanes of 2005. For more information about his stock, fine prints, and availability for assignments, be sure and check out  his website.

August 29, 2007

Hurricane Katrina 2nd Anniversary

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CSX Turnbridge - the point where Katrina made its *final* landfall (around 9am on 8/29/05)---(copyright Matthew White)

 

July 07, 2007

The Effect of Disaster Photographed

Inasmuch as I'm internally motivated "to inspire others" unfortunately it isn't very often that I find myself inspired. I have high standards around inspiration I suppose.  :)  So when I get a "hit" that ignites "something" in me it really makes my day. Having said this, I just read some very provocative thought leadership at a photography focused blog called The Exposure Project ---The Effect of Disaster Photographed. And it did make my day because it  addresses a subject that is near and dear to my own heart.

The topic at hand is focused on the  "thousands of hours of news footage" and "innumerable still photographs depicting the devastation of both the landscape, and the livelihoods of the people affected" by Hurricane Katrina. The concern raised there is this one: "In a media-saturated world, the bombardment of imagery can have both a positive and negative influence on how we view the world. In one respect, media has allowed information and imagery to be widely accessible to millions of people who might not otherwise be able to obtain it. On the other hand, the over-saturation of this imagery can act as a numbing agent to people's sensitivity to important world events".

One day shortly after the first anniversary of Hurricane Katrina, I was attempting to post a slew of Biloxi/Gulfport, Mississippi  devastation photos that someone had given me. Suddenly in the middle of the posting I got sick to my stomach. I realized I was just numbed out  on devastation photos, indeed numbed out on devastation period. I was desensitized,  I couldn't feel anymore...not compassion, not concern, not any sense that this was the reality even though I had seen that reality over and over again with my own eyes.   What I was experiencing was akin to some sort of shell shock.

Interestingly though, when you bring a condition into your awareness that needs to be healed or transformed,  it is often true that the antidote is soon forthcoming. In this case it was an introductory inquiry from photographer Matthew White. He spoke the right words. He told me his photographs were not about incongruity. And he outlined the reasons for that. And that changed the whole focus of the blog for me from then on. My decision was to continue to report the realities of Katrina and Rita recovery while balancing it out with beauty and positivity...to depict the natural and unique culture and landscapes  of Louisiana (and the gulf coast) and  why it needs to be preserved and rebuilt.

And instead of forcing this message on people in an in-your-face sort of way, I decided to let the pictures tell the story...as in every picture is worth a thousand words. Given that  form follows function, shortly after I made that decision  other contributors (in addition to White) came forward who had the same idea, for example Yoshio Toyama and Maida Owens.

Now there is a  lot more I can say on this topic.  The Effect of Disaster Photographed addresses the issue of over saturation through the constant bombardment of  disaster images as well as its  desensitizing affect on people. There are other important themes to consider though. Matthew White has taken on some of these themes in posts such as Polidori Plunders New Orleans. This one addresses the issue of survivor intrusion (and indeed the exploitation of the  disaster's victims).

During an early tour of devastated New Orleans I was  advised not to take photos of people's destroyed homes if they were present or nearby. It upsets some survivors and they will sometimes lash out at you. People don't want to be the spectator sport in what amounts to a horrific but very real freak show called Katrina's aftermath. Now remember I "are one too", (a survivor that is) although not to the same extent as those whose entire homes (and indeed communities) were destroyed by hurricanes Katrina and Rita.

At any rate, I still have a lot to say  on this topic. Since this is getting long winded for a blog post, though, I am more than likely to take up this theme in  future posts.

Margaret Saizan


 

July 04, 2007

Happy 4th! America The Beautiful

I am off soon for fourth of July celebrations at friends Bob  and Jamie Haeuser's farm in Robert, Louisiana.  J & B are the quintessential New Orleanians. Born and raised there, Jamie is a hospital administrator at Womans Hospital in Baton Rouge, and she also teaches health care management courses at Tulane University.  Bob has an insurance agency in downtown NOLA, and here in Baton Rouge post-Katrina.

On another note, I was sort of toying with the idea of ending today's blog session by  posting a fourth of July image  at the top of the  main page as I traditionally do  - you know the traditional thing with some kind of fireworks or the American Flag. The song "America the Beautiful" was playing over and over in my mind as I was hunting images and so I decided  the image should be one that really depicts America's natural beauty, and preferably Louisiana's too.

So here's what comes to me for a perfect look at America, the beautiful as captured through the lens  of a Louisiana  landscape photographer.  You should check out Matthew White's newly published photographs, Summer Storm, The Rigolets, 7/07 and Sabine Lake, Toward Louisiana from Port Arthur, TX 5/07 over at his blog, http://rigolets.blogspot.com/. (Lots of other great eye candy over there too).

Happy 4th! Be safe.

Margaret Saizan

June 26, 2007

Hurricane History: Audrey's 50 Year Anniversary

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Louisiana From Texas, Sabine Pass, 5/06---Landfall site of Hurricanes Audrey & Rita (copyright, Matthew White)

June 27, 2006 marks the the 50 year anniversary of Hurricane Audrey's landfall on the Texas/Louisiana Border.  In commemoration of the event, and to honor the storm's comparisons to the more recent but equally devastating Hurricane Rita, Beyond Katrina is featuring news and links on Audrey from around the web. On another note, photographer and Beyond Katrina contributor Matthew White has documented the Audrey/Rita areas  extensively. Links to his photo-essays are as follows:

Back to Cameron Parish, May 2007

Holly Beach--Cameron Parish

Blog Contributor's Photographs Selected for Exhibition

Photographer documents state’s coastal beauty

Cameron Parish

Vermilion Parish

Photographer Tells Visual Story of Hurricane Rita

A PAUSE FOR AUDREY: Cameron Parish, still recovering from Hurricane Rita, will mark the 50th anniversary of Hurricane Audrey this week

Special Feature: Hurricane History: Audrey's 50 Year Anniversary (2)

The Times Picayune has an excellent feature article on Hurricane Audrey and the storm's impact to Louisiana's Cameron Parish. The article mentions how in "an era predating Doppler radar, weather satellites and Jim Cantore, approaching hurricanes did not attract the kind of attention that modern-day residents of the Gulf South take for granted. Lake Charles' lone television station had begun broadcasting three years earlier, and radio stations from throughout the region could reach Cameron listeners back then, but it's hard to know the extent to which Cameron Parish residents were warned of the approaching hurricane and just how powerful it was.According to local lore, many residents thought they had more time to seek shelter or higher ground but were caught by surprise when the hurricane strengthened and sped up overnight as it approached the Louisiana coast".

Well, I definitely remember those days. My family would huddle up over at my aunt and uncle's house (since they had fewer trees in their yard) while waiting out those storms. My sister,  cousins, and I would put our sleeping bags down in the hallway (best place to be during a tornado). But  yours truly never really went to sleep. I was fascinated by the storms then as I still am today. So I'd sit up with the men folks and wait the storms out.  After the electricity went out and you couldn't catch the television briefs any longer, we'd  fire up the gas lanterns and sit listening to NOAA weather blasts on a battery operated radio. I can still hear the voices of those forecasters broadcasting the storm's coordinates and intensity all throughout the night. But yes, it's true, we often only knew broadcast by broadcast , one at a time and in real time what the canes were actually going to do. And landfall was somewhat of a mystery until it happened. But that is still as true today...

Okay, enjoyed the trip down my own memory lane.  For a really good peek at more hurricane history through the lens of Hurricane Audrey, check out the Times-Pic article, here.

Oh, and for a breathtaking  photograph of Sabine Pass, (taken By Matthew White)  and depicting the exact location where Hurricanes Rita and Audrey made landfall, check out this post.  Also, while you're there, be sure and click the links to see White's other photo-essays of the areas impacted by Rita and Audrey. The photos are stunning to boot. 

June 11, 2007

Louisiana: A Series of Photo Essays (7)

Back to Cameron Parish, May 2007

By: Matthew White

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On the Lone Prairie, Johnson Bayou, LA 5/07

Cattle are back in Cameron Parish; this small squad grazed on a short road leading to Martin Beach, near Johnson Bayou. Houses seem to be coming back here; the giant Rita debris dumps of 2006 are gone, and the area was much more lush and green than my last visit.

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Holly Beach, LA 5/07

Road signs are back in Holly Beach, and also the grass, most of which was not present for my last visit. In the background you can see the largest portion of rebuilt homes, which show a curious disparity; it's either oversized vacation-pads on 15-foot pilings, or lonely trailers. No mid-sized or small dwellings anywhere to be seen. This is actually a sad comment on Holly Beach in its present state -- the diehards who did not have the financial resources to cover what insurance did not, combined with the post-Rita FEMA guidelines for rebuilding (requiring all structures to be at least 15 feet off the ground), have turned the so-called Cajun Riviera into a trailer park peppered with highly elevated McMansions; the luckier ones literally look down upon the less fortunate, like some medieval fiefdom.

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Port Arthur, TX 5/07

Standing atop the main protection levee for Port Arthur, on a man-made island that used to be an amusement pier, now a quiet park on the shore of Sabine Lake. On the left is the main refinery on the southwest side of the city; the bridge at right is 1.5 miles away, lifting up state route TX-82, which becomes LA-82 across the border,running east along the coast to Abbeville.

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On the Cameron Ferry, 5/07

My favorite ride in town. Cameron was much improved since last year; the town is much more in order, even though Rita's handprints are still everywhere. As in Holly Beach, there is the same harsh contrast between large homes alongside trailers. There are also still many empty slabs, but the mood this time around was much better. It was a very nice end to an afternoon where in the space of three hours I saw extreme haze, thunderstorms, and a funnel cloud to boot.

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Cameron Parish, LA 5/07

A side-view off LA-82; the beginning of a long drive through coastal prairie,wetlands, and oil fields that takes you straight through the most untamed part of Louisiana; 35 or so miles of undeveloped outback; the entire distance from here to Pecan Island in Vermilion Parish is a slowly changing, hypnotic landscape.

About Matthew White

Matthew White is a native New Yorker who made Louisiana his home and his artistic focus in 2000. For five years he photographed nearly every notable location on the Louisiana coast. Hurricanes Katrina and Rita changed the landscape, but not Matthew’s vision and desire to show Louisiana’s unique beauty. While hundreds of others have documented the tragedy wrought by the storms, Matthew’s body of work captures the beauty that the storms of 2005 could not erase. Rather than clichéd incongruity and depressing devastation, Matthew’s photos capture a landscape touched by and triumphing over catastrophe. White shares the same vision as blogger Margaret Saizan, looking “Beyond Katrina,” and lending a silent voice to disaster and recovery.

For more of White's content at Beyond Katrina go here or visit his blog to view more of his photographs.

All Images are property of M.W. and may not be linked to another website, copied, or reproduced without permission. To see more photographs visit his website at http://rigolets.blogspot.com/. To view more of his photo-essays at Beyond Katrina, go here. Matthew White’s fine prints are available through gymnopedies13@yahoo.com.

 

June 08, 2007

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Holly Beach--Cameron Parish,  Louisiana (5/07)

Matthew White just returned from a photo shoot in Cameron Parish, Louisiana. He'll be posting some new pics from that trip here at Beyond Katrina soon. In the meantime, you can check out some of his new photos at his blog here.

(Image is property of M.W. and may not be linked to another website, copied, or reproduced without permission).

April 30, 2007

Save the Wetlands!!...No, Wait! Get the Hell Off of My Property!!!

By Matthew White

"I can't let him go. I can't. There must be some way to bring him back. Oh I can't think about this now! I'll go crazy if I do! I'll think about it tomorrow. But I must think about it. I must think about it. What is there to do? What is there that matters?... Tara!... Home. I'll go home, and I'll think of some way to get him back! After all, tomorrow is another day!"

That's Scarlett O'Hara's final soliloquy from Gone With the Wind, and like most cynics, I interpret it as her pledge to go into real estate. Rhett Butler has just walked out of her life, not giving a damn, and here is Scarlett laying down what really matters: her property.

What matters in Scarlett O'Hara's Georgia also holds true for coastal landowners in Louisiana, it seems. A few months back, I was taking pictures in the Lake Catherine area, when a man driving by on the highway saw me, came to a screeching halt, fired the engine in reverse, pulling right up next to me on the shoulder. The conversation went something like this:

"What are you doing here?"
"Takin' pictures."
"For who?"
"For myself."
"I know somebody who owns this land here, and people have been comin' out here
stealing things."
"I know. I used to live here too."
"Yeah, well when you own land out here and somebody else is on it...(brief
pause)...ya see, me and him was like brothers!"
"OK."
"No, you see, me and him was like brothers!!"
"I didn't come here to steal anything. I like this island as much as you."
"I might call the police out here; they'll get ya for trespassing."

Glancing at the rear of his truck, and having nothing to hide, I answered by quoting his bumper-sticker hero: "Bring 'em on," I said. He sped away. This man was really offended that someone other than the owner was standing on land that belonged to his friend. What mattered most to him was Tara; it didn't matter that I wasn't a thief -- just standing on the property was enough of an offense. I left the area, and did not get pinched for trespassing.

Owning land means a lot to coastal residents, no doubt about it. There seems to be something in owning land that gives people a sense of belonging and individuality; something to have that no one can take away (even when the Communists take over America).

So along comes this little ditty in the April 29th edition of the New Orleans Times-Picayune:

"Publicly financed projects to prevent southeast Louisiana from being swallowed by the Gulf often are slowed to a crawl and in some cases stopped in deference to the property rights of the very landowners the projects are designed to protect, state officials said. And if Louisiana ends up losing its battle against the Gulf --forcing the evacuation of tens of thousands of residents -- respect for the property
rights of a few could well be a major contributing factor."

Translation: People are so worried about their property rights on the Louisiana coast they are stalling efforts to protect or restore them. Read on:

"Because almost every acre of coastal wetlands is privately owned, even a project designed to rebuild land in open water typically must first cross the properties of several different owners before piped or free-flowing sediment reaches its objective. And resistance can be intense, notwithstanding the state's willingness to pay for easements for the duration of the project, which can be 25 years or longer.

(...)

"The issue of the state "taking" private property to rebuild the coast exploded onto the public's radar in 2002 when judges in Plaquemines and St. Bernard parishes awarded local oyster fishers more than $1 billion in damages the harvesters claimed had been caused by the Caernarvon Freshwater Diversion Project --originally built to improve oyster grounds and strengthen wetlands against erosion. The award was eventually overturned by the state Supreme Court, but it had the effect of freezing progress for two years, state and federal officials said.

"Most property owners readily cooperate, with some even donating valuable easement rights, Hoffpuir said. But others react in unpredictable ways that can stall projects. Many property owners support projects, but have a fear of signing the required legal documents. Other agreements can fall apart on personal quirks.

"I have gone to meet with a willing landowner, but when he saw the federal partner on the project was the Environmental Protection Agency, everything changed," she said. "He escorted me to the door and told me never to let my shadow darken their property again."

That's an example of one person stalling wetlands restoration simply because they had a personal bias against the Environmental Protection Agency, which was trying to save his land. Does that make any sense? Oh, that evil tree-hugging EPA...I'll be damned if they restore my wetlands!

It seems that certain coastal landowners are attaching their personal beliefs to their land, which I suppose is their right, but in this case they're shooting themselves in the foot -- if they don't take the restoration option, the cards are stacked against them. The rules of the wetlands loss game dictate that water and mineral rights of land lost to erosion go to the state, as well as any rebuilt land; mineral rights on restored land will be split 50/50 between original landowner and the state. Isn't the wiser option to allow restoration projects to be executed instead of being a panty-waste about the EPA?

"It's not unusual for one piece of property to have several owners, and we have to get each of them to agree," (...) "One project crossed 57 different tracts of land and we had to get easements from 300 people. And if just one of those 300 doesn't want to sign on, it can bring the project to a stop."

That's a lot of red tape. One person can bring a project meant to restore the coast
to a halt. Meanwhile, more land is lost in the interim.

"There is a long tradition of governments expropriating private property if the owners are deemed to be blocking projects critical to the public welfare. And nearly every politician in the state -- including Gov. Blanco -- says the threat to southeastern Louisiana is an emergency. But Louisiana's governors and
Legislature have been loathe to cross that line, partly due to a belief in the sanctity of property rights, but also because experience has shown cooperation is usually quicker than the legal process of expropriation, officials said."

It's clearly time to put the "sanctity" of property rights on the back-burner for a while, and allow the coast to be restored. This is a state emergency. It doesn't matter if you and him was brothers. How about a nice across-the-board tax break for coastal landowners to allow restoration projects to be built? The solution will have to cut the red tape and make it simple; a "one-step" solution, and it must be fashioned quickly. The money has arrived, and it's time to start pumping silt. If coastal landowners continue to put their personal biases above the urgency of coastal restoration, they'll soon have no land left to keep trespassers away from.

April 07, 2007

Blog Contributor's Photographs Selected for Exhibition

Matthew White's Landscapes Featured in Grand Isle's "Vanishing Horizons"

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"Gulf of Mexico, Cameron Parish, La 5/06" (copyright Matthew White)

Baton Rouge, La. (PRWEB) April 7, 2007 -- Matthew White, a landscape photographer and "Beyond Katrina" contributor, has been selected to show some of his photography in an upcoming exhibit in Grand Isle, La. "Vanishing Horizons" runs from April 7-15 at the Grand Isle Community Center, on Hwy. 1.

"I feel really happy having my work be part of an exhibit in a place as special as Grand Isle. Seeing how well the island has come back since Katrina is a good sign," explained White. "I hope that the exhibit, as well as my work, will show people the real beauty of the Louisiana coast and let them see how important it is to restore it."

The photos White will feature in the exhibit are Lake Borgne, La. (#2)" and "Gulf of Mexico, Cameron Parish, La 5/06". A New York native, White moved to Louisiana in 2000 and soon thereafter began photographing most of the notable locations along the Louisiana coastline. His mission, to convey the beauty and uniqueness of the Louisiana landscape, didn't waiver after the storm. His collection of landscapes continues to speak for a state that has survived the worst from nature and continues to evolve after an unprecedented tragedy.